We’ve all heard Tristan und Isolde sung magnificently. This time we were here to listen to the orchestra. Seldom are concert performances of Wagner so definitively focussed on the music, rather than the glamorous outward trappings of opera. Indeed, it was a relief that the singing, with few exceptions, was below par, so could be largely ignored, the vocal parts heard from memory.
Yet, significantly, the Tristan references soon fade. By the third development we’re hearing pure Mahler. The ebb and flow between the two main themes here was distinct. If it emphasized the “Romantic” aspects of the piece rather than the more complex elements, that was perhaps understandable in the circumstances. We weren’t here to think about the other movements or indeed about Mahler, but to hear how the piece enhances our appreciation of Wagner as orchestrator.
Incidentally, László Polgár was singing with a bad cold. He’s superb in the role of King Marke. Indeed, he used the roughness in his voice to advantage. Marke sounded genuinely infirm, ravaged and old. This is intelligent musicianship, making the most of a difficult situation. I’d come specifically to hear him and wasn’t in the least disappointed.