Les Paladins brought Rameau Les Paladins and much more to the Wigmore Hall. " ....a Baroque spirit of theatre and imagination. Contrasts of dynamic, register and timbre were exaggerated and celebrated, textures were by turns airy, then plangent, and such vivid shifts engendered a dramatic, playful - and at times, fantastical - mood. Equally at home with the jovial and the sensual, the instrumentalists of Les Paladins - the five female violinists standing to the left, while the male lower strings and woodwind players occupied the right of the stage - entered fully into the spirit of Correas’s endeavour, playing expressively and vivaciously, and giving each musical motif and melody a fresh character."
"Tempi were lively. In the Ouverture from Les Indes galantes an airy buoyancy was enriched by accented chromatic dissonances and tight trills, and the strings’ crystalline runs were matched by the bright vitality of the flutes (Jacque-Antoine Bresch, Lorenzo Brondetta). The dashing semi-quavers of the Ouverture from Les fêtes de l’Hymen et de l’Amour fizzed with energy, while the piercing gleam of the flutes alleviated the brooding solemnity of the slow opening."
Read the full review HERE in Opera Today by Claire Seymour