tag:blogger.com,1999:blog-416983732847060845.post5987380185432394694..comments2024-03-05T10:14:38.181+00:00Comments on CLASSICAL ICONOCLAST: The Cunning Little Vixen, ROH London 2010Doundou Tchilhttp://www.blogger.com/profile/07469682216179706743noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-416983732847060845.post-79828250757019795112010-03-20T13:37:57.033+00:002010-03-20T13:37:57.033+00:00She was good ! I was quite near the kid who cried...She was good ! I was quite near the kid who cried. He was fast asleep and wailed but went back to sleep right away. His 15 seconds of fame. It kind of killed the pathos of the moment of the Fox's death, but that's OK - other performances to come. I think most people thought it was cute when the kid cried, because it was so innocent. In fact it extended the idea that there's no barrier between stage and life.Doundou Tchilhttps://www.blogger.com/profile/07469682216179706743noreply@blogger.comtag:blogger.com,1999:blog-416983732847060845.post-13030403865856905952010-03-20T11:31:39.331+00:002010-03-20T11:31:39.331+00:00What a marvellous account of a very happy evening ...What a marvellous account of a very happy evening - certainly a memorable debut for Elisabeth Meister. As for the child in the audience, though, I'd assumed the wail was distress at the death of the character with whom she might most identify (and the audience's slightly nervous laughter an adult echo of the same reaction).Jameshttps://www.blogger.com/profile/16790409672417143230noreply@blogger.com