Ghana Freedom is a cult song, known to most Ghanaians under the age of 60 through the recording by E T Mensah made for Ghana's independence in 1957. The tune is irrepressible, but the story behind it is even more irrepressible than most realize. This is a scoop for African history! In 1977, one of the regular readers of this blog unearthed papers in Colonial Office Archive to explain the mystery.
He found a clipping from The Morning Telegraph, a Sekondi newspaper, dated 5 February 1952, which states "As an expression of solidarity between Africans of the Gold Coast and people of African descent in the West Indies, Trinidad calypso singers, headed by George Browne have composed a calypso called Freedom for Africa. The new dance song is dedicated to the Honourable Dr Kwame Nkrumah, Prime Minister and Chairman of the Convention People's Party, popularly known as the CPP" ..... "the background music is provided by African drums played by two Gold Coast Natives, Alfred Payne of Accra and Kofi Mensah of Cape Coast. The calypso has an attractive tune and should be popular among dancers as well as among supporters of the CPP". Here are four of the eight verses::
From his Ussherfort Cell, where they bolted the doors so well,
Nkrumah made his clarion call, and the people voted him one and all.
Chorus : Freedom, freedom is in the land, Friends, let us shout, Long live the CPP! Which now controls Africa's destiny.
They called us all the verandah boys, they thought we were just a bunch of toys, But we won the right to vote at midnight hour, came out of jail and took power.
With Appiah the ambassador, Casely Hayford the barrister,
these two gentlemen did quite well, they got us out of the jailhouse cell.
The British MP Gammans was rude, by his dog in the mangerish attitude,
But like the ostrich we know that man can go bury his head in the sand
Apparently several thousand records of the song were to be made and shipped to Africa, but the Colonial Office probably wasn't pleased. In those days, The Crown Agents held a monopoly of all government business and locals weren't supposed to act independently. So if a colony grew cotton, it had to buy cotton textiles from Manchester, via the CA. In a minute preserved in CO554/595 dated 5th January 1952, officials are discussing the activities of men like "Mr Appiah of WASU" (Joe Appiah of the West African Students Union). Making mass copies of a recording which criticized the government would not go down well. No-one really knows what happened to the first pressing of Ghana Freedom, but quiet words may have been said in London, where the master tapes were. Colonialism was sinister and pernicious, even though there were many good idealists, like Selwyn Selwyn-Clarke and Stafford Cripps whose daughter Peggy married Appiah. Their son Kwame Anthony Appiah is professor of philosophy at Princeton.
The recording is "lost" as far as can be ascertained. Maybe someone has a copy somewhere? George Browne, aka Young Tiger, was also quite a character- here's his obit. E T Mensah, who made the recording that filled the gap left by Young Tiger's song, is even more fascinating. He was a qualified pharmacist who worked for the government by day and had a huge career in hilife music at night.
He found a clipping from The Morning Telegraph, a Sekondi newspaper, dated 5 February 1952, which states "As an expression of solidarity between Africans of the Gold Coast and people of African descent in the West Indies, Trinidad calypso singers, headed by George Browne have composed a calypso called Freedom for Africa. The new dance song is dedicated to the Honourable Dr Kwame Nkrumah, Prime Minister and Chairman of the Convention People's Party, popularly known as the CPP" ..... "the background music is provided by African drums played by two Gold Coast Natives, Alfred Payne of Accra and Kofi Mensah of Cape Coast. The calypso has an attractive tune and should be popular among dancers as well as among supporters of the CPP". Here are four of the eight verses::
From his Ussherfort Cell, where they bolted the doors so well,
Nkrumah made his clarion call, and the people voted him one and all.
Chorus : Freedom, freedom is in the land, Friends, let us shout, Long live the CPP! Which now controls Africa's destiny.
They called us all the verandah boys, they thought we were just a bunch of toys, But we won the right to vote at midnight hour, came out of jail and took power.
With Appiah the ambassador, Casely Hayford the barrister,
these two gentlemen did quite well, they got us out of the jailhouse cell.
The British MP Gammans was rude, by his dog in the mangerish attitude,
But like the ostrich we know that man can go bury his head in the sand
Apparently several thousand records of the song were to be made and shipped to Africa, but the Colonial Office probably wasn't pleased. In those days, The Crown Agents held a monopoly of all government business and locals weren't supposed to act independently. So if a colony grew cotton, it had to buy cotton textiles from Manchester, via the CA. In a minute preserved in CO554/595 dated 5th January 1952, officials are discussing the activities of men like "Mr Appiah of WASU" (Joe Appiah of the West African Students Union). Making mass copies of a recording which criticized the government would not go down well. No-one really knows what happened to the first pressing of Ghana Freedom, but quiet words may have been said in London, where the master tapes were. Colonialism was sinister and pernicious, even though there were many good idealists, like Selwyn Selwyn-Clarke and Stafford Cripps whose daughter Peggy married Appiah. Their son Kwame Anthony Appiah is professor of philosophy at Princeton.
The recording is "lost" as far as can be ascertained. Maybe someone has a copy somewhere? George Browne, aka Young Tiger, was also quite a character- here's his obit. E T Mensah, who made the recording that filled the gap left by Young Tiger's song, is even more fascinating. He was a qualified pharmacist who worked for the government by day and had a huge career in hilife music at night.
This is not a useless story. Sometimes we know so little about our own history. So we muse with fragments. Thank you for your awareness.
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