My review, as pronised, is HERE. Richard Strauss Elektra, BBC Prom 53 – an amazing experience! Semyon Bychkov, Christine Goerke, Felicity Palmer and a cast who could hardly be faulted. Christine Goerke "is not one of those Elektras who start the opera as demented and raddled.
From the opening she projected youth and a certain rapture in the vocal
line. Only gradually did you come to realise that this young woman was
unhinged. Goerke had a way of smiling to herself which told volumes.
What was refreshing about her performance was that, though certainly a
very big sing, she did not seem to need to attack every single phrase.
There was some profoundly poignant moments and this was one of the most
sympathetic Elektras I have heard in a long time."
Please read the full review in Opera Today HERE I'll be writing too about the experience – for an experience it was! The Royal Albert Hall is a vast cavern, but Goerke filled it so well that she made Elektra feel close up and personal. Read my review here.Photo above shows Strauss at the premiere. Note costumes. That Clytemestra's not authentic period Greek!
Operas we can hear in an opera house anytime, but this was no ordinary performance. I loved the Royal Opera House production in September 2013 (which I reviewed HERE), and so did just about everyone else. I saw the previous ones too, but 2013 was by far the best. Goerke and Andris Nelsons, go figure. When this production is revived again, do not miss it as it's very intelligent and very passionate, which is perhaps why some didn't get it in 2008.
Please read the full review in Opera Today HERE I'll be writing too about the experience – for an experience it was! The Royal Albert Hall is a vast cavern, but Goerke filled it so well that she made Elektra feel close up and personal. Read my review here.Photo above shows Strauss at the premiere. Note costumes. That Clytemestra's not authentic period Greek!
Operas we can hear in an opera house anytime, but this was no ordinary performance. I loved the Royal Opera House production in September 2013 (which I reviewed HERE), and so did just about everyone else. I saw the previous ones too, but 2013 was by far the best. Goerke and Andris Nelsons, go figure. When this production is revived again, do not miss it as it's very intelligent and very passionate, which is perhaps why some didn't get it in 2008.
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