Bennett shows that, when harnessed to operatic conventions (greed, murder, retribution, guilt), musical modernism can make accessible,
riveting theatre. The beauty of his score is its deftness, subtlety, fluency and, yes, its tunefulness in a post-Bergian mould: he makes the vocal lines sound natural and often tonal, in a way even Henze failed to achieve. "
photo : Rob Lavinksy, i-Rocks,com
No comments:
Post a Comment