It's hard to take the BBC Music Magazine Awards nominations seriously. Out of "nearly 200" discs chosen, three in each category. But how can anyone really compare Adam Fischer's Mahler 1 with Currentzis's Tchaikovsky 6 or Peter Oundjian's John Adams ? Or Opera Rara's Semiramide with the Early Opera Company's Acis and Galatea with John Adams Dr Atomic ? There is, however, no obvious bias for the choices in the Vocal Category, but art song isn't populist, so goodness knows what the logic is.
The three Vocal choices:
Schumann and Mahler Lieder : Florian Boesch Malcolm Martineau, sensitively performed with insights into different forms of Lieder. Among the best on record of Mahler Lieder eines fahrenden Gesellen, which is saying something in a crowded field. Please read my review HERE
Mirages : Sabine Devielhe with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth - French Orientalism - selections from the Belle Epoch and Maurice Delage's Quatre Poėmes hindous. Please see my review HERE.
Enfer : Stéphane Degout, Raphael Pichon, Pygmalion - a Mass for the Underworld, comprised of excerpts from Rameau and Gluck, featuring seriously Bad Guys from the Baroque, brilliantly put together theme by theme, parodying a sacred Mass. Shocking, though this was apparently done in baroque times. Fabulously flamboyant performances, showing how powerful and edgy HIP can be. I haven't reviewed this but have been listening to it for months
How do you choose between these three ? Mirages is a good debut album, and Boesch's Schumann and Mahler an essential addition to the discography. But Dégout's Enfer is more than great performance. Conceptually, it's in a whole new world (pun intended) and shakes up preconceptions about period performance. This one's in a league of its own. Deserves an award in its own category !
The three Vocal choices:
Schumann and Mahler Lieder : Florian Boesch Malcolm Martineau, sensitively performed with insights into different forms of Lieder. Among the best on record of Mahler Lieder eines fahrenden Gesellen, which is saying something in a crowded field. Please read my review HERE
Mirages : Sabine Devielhe with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth - French Orientalism - selections from the Belle Epoch and Maurice Delage's Quatre Poėmes hindous. Please see my review HERE.
Enfer : Stéphane Degout, Raphael Pichon, Pygmalion - a Mass for the Underworld, comprised of excerpts from Rameau and Gluck, featuring seriously Bad Guys from the Baroque, brilliantly put together theme by theme, parodying a sacred Mass. Shocking, though this was apparently done in baroque times. Fabulously flamboyant performances, showing how powerful and edgy HIP can be. I haven't reviewed this but have been listening to it for months
How do you choose between these three ? Mirages is a good debut album, and Boesch's Schumann and Mahler an essential addition to the discography. But Dégout's Enfer is more than great performance. Conceptually, it's in a whole new world (pun intended) and shakes up preconceptions about period performance. This one's in a league of its own. Deserves an award in its own category !
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