The extremes inherent in this score can be overdone, but not on this occasion. In the all-important final movement, Hrůša had thought through the dynamics of the Royal Festival Hall and in the orchestra. The doubles basses sat just behind the harps, together magnifying impact : the darker sounds like the earth, the brighter sounds like heaven. Magnificent rolling percussion, swept by turbulent strings, as another march develops, this time an irrepressibly energetic march, the brass sassy, bells ringing in celebration. For all we knoiw this might be the march of the life force exemplified by the fishes, hence the cheeky screams from the lower woodwinds, and the defiant, swirling figures, the sudden diminuendo and the wailing trombones, their chill turning to more sublime, otherworldy figures from which the phrase "Das himmliche Leben" emerges,with woodwind calls.
The offstage brass ensemble was seated outside the auditorium, just outside the Green-side door, invisible but with just the right degree of audibility. Usually in this hall, they get put into a box, often the Royal Box but the effect is often too strident. This also allowed the finer details, like the delicate woodwinds and pizzicato to shine clearly. Later, when the offstage brass returned, the horns stood above the orchestra to the left of the conductor, while the trumpets stood to his right, spreading the balance with much better effect. The importance of spatial elements can't be stressed enough - this is "a symphony that contains the world", past, present, future. Every instrumental voice matters, just as every mortal who has ever lived or died. At last the voices are set free, the soloists, Camilla Tilling and Jennifer Johnston, leading the choir. Though the diction of the choruses wasn't ideal, I'd much rather hear them sing with musical intelligence like this, the reverence better integrated with the soloists and orchestra. In any case, they echo the words the soloists sing, and this symphony is so well known that most people know what the texts mean. When the male voices cried out "Bereite dich zu leben!" everything came together in magnificent climax.