|L'enfant et les sortilèges - Teapot (François Piolino) Child (Khatouna Gadelia) Chinese Cup (Elodie Méchain) Credit Simon Annand|
The combination of this L'enfant et les sortilèges, from 2012, with Pelly's much earlier L'heure espagnole underlines the freshness of Pelly's conception. In L'heure espagnole the adult figures are cynical, as inhuman and as inhumane as the clocks Torquemada surrounds himself with. Machines can be controlled to suit. Torquemada's a classic case of Obsessive Compulsive Disorder, where process means more than goal, the need to regulate a mask for existential anxiety. Concepción thinks she can escape by playing men off against each other, but she, too, is operating on clockwork. Everyone in L'heure espagnole is trapped in an infernal machine they don't even recognise : no-one's happy, or innocent.
The 2012 Glyndebourne cast was brilliant - Stéphanie d'Oustrac and Kathleen Kim, for starters ! Altogether unforgettable ! Please see my original review from the premiere and also my interview with Laurent Pelly.
Post a Comment