My review of Handel's Radamisto at ENO Colisuem is up, , please click on the blue text. Below is background giving scholarly insight, and written in a direct way. It's about the Alan Curtis recording with Joyce DiDonato, but goes much further.Understanding the repertoire is often the key to appreciating a performance.
This is value-added reading, so please follow this link to Opera Today to read more.
My take on the show -very positive with one huge exception - will be up shortly, and a longer version in Opera Today too.
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