Absolutely unmissable is Matthias Goerne's recital on 7/1, with Lief Ove Andsnes. Amazingly challenging programme mixing Mahler songs with Shostakovich's Suite on verses of Michelangelo Buonarroti. Goerne's approach to both composers is highly original and perceptive. Definitely an event for serious fans of song and good repertoire. It's been sold out for months.It could tie in well with the four-part Wigmore Hall series on Russian music with Roy Stafford which runs each Thursday this month.
EIGHT TOP CONCERTS IN A ROW! Angelika Kirchschlager and Jean-Yves Thibaudet do another very strong Brahms and Liszt programme on 20/1. The very next day Christoph Prégardien and Michael Gees do an interesting programme which mixes big names like Schubert and Wolf with less well known contempraries like Loewe and Franz Lachner, whom Prégardien has done so much to promote. Search this site for more on Lachner.Very interesting baroque and early music, too. On 22nd La Nuova Music presents Francesco Conti's 1732 opera Issipile prepared for the Hapsburg court. Top soloists, which will make the evening very worthwhile indeed. And on 23rd the acclaimed Jack Quartet performs Ferneyhough, Anderson and others. On 24/1 Sara Mingardo sings Venetian baroque, and on 25th the Nash Ensemble, with Latonia Moore, Kim Cresswell and Roderick Willliams do American songs (Barber, Ives, Copland, Gershwin) - probably way above the usual. Luca Pisaroni sings Beethoven, Reichardt and Brahms with Wolfram Rieger on 26th and on 27/1 Florian Boesch sings Schubert and Wolf with Malcolm Martineau. I might also go to Mauro Peter's debut on 28/1 and to Classical Opera Haydn/Mozart on 30/1. That's ten recitals in eleven days, or eleven if you include Peter Grimes at the ENO on 29th. . I can't even contemplate the chamber music recitals, and other things that otherwise would be very tempting. I might as well camp on the pavement.