"Mozart cut his operatic teeth on La finta semplice, as a twelve-year-old
prodigy being paraded before the Viennese court by his ambitious
father, Leopold. Responding enthusiastically to a casual remark by
Emperor Joseph II that the young wunderkind might like to compose an
opera for the court, the proud parent precipitately exclaimed, “Today we
are to see a Gluck and tomorrow a boy of twelve seated at the
harpsichord conducting his own opera”."
Claire Seymour's perceptive review of Bampton Classical Opera's Mozart La finta semplice. in Opera Today.
"Incidentally, operatic croquet seems to be all the rage at present: BYO’s recent production of Cimarosa’s The Secret Marriage featured a panoply of ‘sporting’ ensembles - but Bampton got there first!) Overall, this was another discerningly amusing performance by Bampton Classical Opera: a cheerful, charming production which confirmed the essential mystery of the ordinary and the inscrutability of the world of love."
Claire Seymour's perceptive review of Bampton Classical Opera's Mozart La finta semplice. in Opera Today.
"Incidentally, operatic croquet seems to be all the rage at present: BYO’s recent production of Cimarosa’s The Secret Marriage featured a panoply of ‘sporting’ ensembles - but Bampton got there first!) Overall, this was another discerningly amusing performance by Bampton Classical Opera: a cheerful, charming production which confirmed the essential mystery of the ordinary and the inscrutability of the world of love."
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