HERE is my review of the London premiere of George Benjamin's Written on Skin. Last week I wrote about George Benjamin's Written on Skin at the Aix Festival and gave links to two reviews, one quite detailed, from Michael Milenski in Opera Today (with photos). It's now a great pleasure to present another well written review from Liam Cagney in the Telegraph. It's good that there are writers around who think analytically. I like reading reviews to learn how a performance fulfils the music, so appreciate writers who care. Benjamin's Written on the Skin is an extremely important piece, innovative in many ways. Although I've listened to it several times, I still can't do it justice in a few brief lines. Today I've been listening to Into The Little Hill and reading the score of Luke Bedford's Seven Angels which was way above the heads of most London critics, who couldn't get past the idea of role-playing angels acting out scenarios. Now perhaps they can. All three operas, Into the Little Hill, Seven Angels and Written on Skin predicate on the concept of multi level, stylized narrative. Benjamin's Written on Skin is amazing, and the more you put into it the more you get.